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(They have since split, and Dunst has reportedly hooked up with her Spider-Man co-star Tobey Maguire.)Ĭrazy/beautiful gave Dunst her first shot at an adult sex scene. Adds Dunst, “The character is falling in love for the first time, and I was going through that, too.” At the time, she was beginning a relationship with her Get Over It co-star Ben Foster.
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I can’t say I’ve never had a drink before, but I’ve never actually done a drug in my life.” Reading Sylvia Plath helped so did listening to lyrics from Joni Mitchell’s Blue. “It’s hard to get to certain places, like being drunk and doing drugs.
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“This movie made me feel like crap every day,” Dunst recalls. “It seemed important to her to do a movie that would upset some of her fans.” “Her eyes glazed over, her shoulders slumped, she was really able without chemical aids to become this girl,” Stockwell says. I left with some uncertainty that she could pull off the role of a sexual provocateur.”īut when Dunst stepped onto the set, all traces of the perky Kiki disappeared. “Very upbeat, very composed, a girl who had a great relationship with her mother.
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“She was in full Kiki mode,” says Stockwell, using Dunst’s nickname. The director and Dunst first met when she was filming the musical Get Over It. He chose Dunst - who, at nineteen, has appeared in more than twenty feature films - to play Nicole Oakley, a depressed, booze-and-drug-addled student at a posh Pacific Palisades high school who falls for a Hispanic boy from East L.A., played by Jay Hernandez. “She may look like the innocent girl next door, but when she wants something, watch out,” observes crazy/beautiful director John Stockwell. Meet Kirsten Dunst, a young woman on the verge of a nervy breakthrough as a temptress. My knees buckle at the suggestion, and I quote the title of her last hit movie: “Bring it on!”ĭunst delivers a healthy swat, and it really is lucky I strike back, nosing out victory by six points. “I’ll slap your ass for good luck,” the star of crazy/beautiful, who today is working both sides of that equation, tells me when it’s my turn to roll. Marvin Gaye is crooning “Mercy Mercy Me,” which is just what you’d be thinking if you were standing behind Kirsten Dunst, watching her shake her groove thing to the foul line and launch a screaming-orange bowling ball right up your alley, dropping all ten pins for a strike.